I thought this would be so easy. All I had to do was book a venue to record live at, not perform for an audience-not that I would be able to get one; my biggest dilemma to date, but another time for this tale. And what venue could possibly be the place for me? None other than Swing State, a former 1920s speakeasy, now teenage non-alcoholic nightclub in the far northwest suburbs of chicago.
So I booked the date in advance, set for February 7, 2010, an midnight session for me; for Clean Boys, they would be online with us at 7 am Denmark time. I remember at the time, how a lot of my musician friends thought how crazy and cool the concept was. Who in their right mind would want to record a record on a Sunday morning?
That was the least of our worries. It had been a good New Year’s Eve, though, I can’t recall where I was, the day after, January 2, 2010, that goodness faded to a glimmer, when Swing State reported via Myspace, that a fire had broken out and as a result, the club would be closed until further notice. That was devestating to hear, if not think. Just five weeks away from our recording session and I thought that it was cursed.
Not so, said Pedro reassuredly told me both on Skype and in emails , “we are the curse-breakers,” he would tell me over and over. So, it was my job to find a new venue that would take us on; I must have written at least six proposals to coffeehouses, performance spaces and clubs. There were a few who dug the idea, but didn't have the Internet capability at the time, some who claimed their landlord would allow such a performance to take place because it was against the rules, according to their lease and the rest of them? well, they never bothered to respond. I was getting worried as the date inched closer.
Then another glimmer of hope sprang out of nowhere-an offer that seemed too good to be true.
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